Alice Channer (Oxford, UK, 1977) lives and works in the edges of London, UK. Channer’s forms and materials are found in the social and sensual worlds of industrial and organic processes. Over long periods of time, she immerses herself in industrial and natural materials and production processes to find forms within them that she develops as sculpture. Her method is both experimental and precise, collaborating with people, machines, and materials to bring multiple bodies and voices into her polyphonic works. She has exhibited widely over the last two decades, including institutional exhibitions at: Liverpool Biennial, UK; Marta Herford, Germany (2021); Tate Britain, London, UK; Towner Gallery, Eastbourne, UK; Ca’Pesaro, Venice, Italy; Nasher Sculpture Centre, Dallas, USA (2019); Museum Morsbroich, Germany; Whitechapel Gallery, London, UK; Kettles Yard, Cambridge, UK; La Panacée MoCo, Montpellier, France (2018); Aspen Art Museum, Colorado, USA and Kunsthaus Hamburg, Germany (2017); Museum Kurhaus Kleve, Germany; Whitworth Art Gallery, Manchester, UK (2016); Aïshti Foundation, Beirut, Lebanon; Public Art Fund, New York, USA; Aspen Art Museum, Colorado, USA (2015); Fridericianum, Kassel; Kestnergesellschaft, Hannover, both Germany and Künstlerhaus Graz, Austria (2014); The Hepworth Wakefield, Yorkshire; the 55th Venice Biennale, Italy and Kunstverein Freiburg, Germany (2013) and South London Gallery; Tate Britain, both UK (2012). The artist is represented by Konrad Fischer Galerie, Berlin and Düsseldorf.